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WHAT BELONGS HERE:

GANIBARRA + Q&A

FRIDAY 23 OCTOBER 6PM

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Close-up of a dingo and a man

Three powerful Australian documentaries explore what happens when people work to restore connections disrupted by colonisation – to ancestors, language, culture and Country.

In Ganibarra, Jirrbal woman and cultural knowledge-holder Sonya Takau shares her family’s profound relationship with the dingo: not simply an animal, but kin, totem and teacher. The film draws a powerful parallel between the displacement of First Nations people from Country and the persecution of dingoes that followed colonisation, asking what becomes possible when ancient knowledge is listened to rather than dismissed. The film is already collecting awards and strong audience responses on the festival circuit.

Bringing His Spirit Home follows Peter as he travels to France to the grave of his great-uncle, an Aboriginal soldier who died during the First World War. More than a century later, Peter performs a traditional ceremony to bring his ancestor’s spirit home to family and Country.

In Gaga Wakulda, the ancient songlines of the East Coast whale migration open a pathway into stories of language, colonisation, cultural survival and renewal. The film connects young First Nations people with Elders, Language Custodians and stories carried through generations, and has a strong local connection through Bundjalung woman Ella Noah Bancroft and students from Byron Bay Public School.

These films are about returning, remembering and reclaiming – recognising relationships that have endured despite generations of disruption.

SESSION TIME

  • BRUNSWICK PICTURE HOUSE

    Friday 23 October 6pm

19 MIN | 2026 | DIRECTORAS: SONYA TAKAU + ALIX LIVINGSTONE | PRODUCERS: SONYA TAKAU + ALIX LIVINGSTONE | AUSTRALIA | BYRON PREMIERE

To the Jirrbal people of Far North Queensland, the dingo is Ganibarra - kin, totem and teacher.

Jirrbal woman and cultural knowledge-holder Sonya Takau has devoted her life to protecting dingoes and keeping alive the knowledge that connects them to Country. Through Sonya and her family, GANIBARRA reveals a relationship stretching back thousands of years, far removed from the fear and hostility that have come to define the dingo in modern Australia.

Tracing the parallel displacement of First Nations people and the persecution of dingoes following colonisation, the film challenges the narratives that have justified generations of killing and disrupted ancient Songlines and cultural connections across Country.

Intimate, deeply personal and grounded in Indigenous truth-telling, GANIBARRA asks us to reconsider one of Australia’s most misunderstood animals - and imagine a future built on coexistence, respect and a deeper understanding of Country.