The Scan
Based on a true story, we follow Jenny, a middle-aged woman in remission going for an MRI scan. However, before the scan, Jenny discovers that she can’t take off her erotic piercing. This leads to her finding an unlikely confidant in the MRI technician as they both try and find a solution to this tricky situation.
In an exclusive interview with BBFF, writer-director Jake Shannon reveals the true events behind the film’s story, his affinity towards absurdism and what he’s looking forward to sharing with BBFF2026 audiences.
BBFF: So, what exactly is The Scan about, and what drew you to this story?
Jake: Essentially the film is about holding space for yourself, in lieu of external pressures. For me, this is a story about personal freedom and learning how to love yourself again. What drew me to the story was that it was one of the most absurd things I’d ever heard - and it was true!
BBFF: Well, they do say that truth is often stranger than fiction! Where did you come across such an odd story?
Jake: As with all good stories, it started with a couple of happy hour piña coladas. After a few rounds, someone I know begun to tell me about how they went in for an MRI scan but couldn't take off their clit ring. I was immediately engrossed, asking for more and more details about the situation, I was certain it would make a great short film.
While I’ve inevitably taken a few artistic liberties in telling the story, most of what happens in the film actually happened.
BBFF: What made you feel this is a story that needs to be told now?
Jake: The reasons why I needed to make this film now are quite selfish really. I hadn't made a film in a while after working in advertising for a number of years and I really needed to get back in touch with the creative part of myself, and explore that voice inside that was aching to speak out.
BBFF: You are a multi award-winning writer-director whose narrative work has screened at over 50 film festivals internationally. Congratulations! What convinced you to become a filmmaker in the first place?
Jake: Discovering how much meticulous work goes into filmmaking fascinated me, and still does. There are infinite ways to tell stories through this medium, and it feels like a real gift to be able to share a worldview with others.
BBFF: And, how would you describe your filmmaking style?
Jake: I am drawn to absurd situations and love bringing them to life in a grounded and comical way. This love of the absurd makes The Scan a wonderful pairing with Dario Russo’s The Fox.
BBFF: The Scan is impressive both artistically and technically. Did you experience unique challenges in making it happen?
Trying to make a film centered around an MRI machine is no easy task. It was only after writing the script that I found out that you can't turn the machines off, they are in a constant state of magnification - meaning that we can't bring a camera or regular production equipment anywhere near the machine.
Our workaround? Construct a 1:1 replica of an MRI with breakaway panels that allow us to get the angles we need to tell the story. Andrew Jaksch, a talented filmmaker in his own right, found the blueprints and began constructing this replica that included a pulley system for the mechanical bed and incorporated LED lighting. I'm still amazed at his craftsmanship.
BBFF: Having the right team behind one’s vision really makes all the difference! I’m sure there were many more heroes without capes behind the scenes.
Jake: There's a long list, but here's a couple...
Amanda Armstrong - The absolute heart of the film, her performance is both brave and sincere.
Roy Joseph - He was incredible to work with and so generous with his time.
Cecilia Low - Absolute superstar producer in putting all this together.
Martine Wolff - We were like two giddy children coming up with creative ideas. Lots of late nights, lots of stone fruit consumed.
BBFF: Working with such a dedicated team, there must have been some unforgettable moments created on set.
Jake: In what eventually became the film’s final shot, Amanda gave an incredible performance filled with glee, vulnerability, introspection and a sense of newfound confidence. I remember being truly taken aback. All I could say to her was, “We found her.”
BBFF: We’re so excited to host the Byron Premiere of The Scan! Do you have a connection to Byron Bay or the Northern Rivers?
Jake: It's an incredible honor. I've always wanted to be part of the festival, there's always a great lineup of films included, this year being no exception. It's great to be a small part of such a substantial and enduring institution of sharing stories.
This is my first visit to the area, and so far I’ve loved it! From serene walks along the pristine coastline to the heaving nightlife and the occasional encounter with a meandering bush turkey, the area is full of character and beauty.
BBFF: What are you most looking forward to about sharing your film with our audiences?
Jake: Even though I've seen my film so many times, I really enjoy every new screening with an audience. I feel each audience gives the film a new life, you can feel the energy in the room. I'm looking forward to the new life that the BBFF audience gives The Scan.
It's also great to be sharing the same screen with Dario Russo's The Fox - Dario's early work has been a huge influence on my own, so it's really a special moment for me.
BBFF: What do you hope our audiences take away from the film?
Jake: It's a bit of a rollercoaster, especially in a short period of time. Overall, I hope the audience leaves having had a good time. While things in our lives may seem or even actually be quite serious, I think it's good to take a step back and find the lighter side of things, while taking space for yourself.
BBFF: It’s great to have you back in narrative cinema, Jake. And, we hope to see more of your work on our screens soon! But, humour us: if you weren't a filmmaker, what would you be now?
Jake: A locksmith. I actually left school at the age of 15 to become a locksmith.
The Scan screens with Guided by Horses on 19 Oct and with The Fox on 24 and 25 Oct.